After a relatively fun start, that's where Bubble Witch Saga 2 starts to slip up. This leads to some truly annoying moments tied into the game's freemium structure. There's a certain degree of excitement here, but it can be really frustrating to be robbed of a three star score simply because your bubbles didn't quite bounce right.Īnother difference is that the number of shots you have is strictly limited. There are also spider-shaped bumpers that float just above these baskets, granting additional points. Once you've freed up the bubbles, they fall into a Peggle-like arrangement of baskets at the bottom of the screen, each one representing a certain score. While the core gameplay is pure Puzzle Bobble, there are a couple of notable variations here. You need to pop the bubbles, but each one that bursts nudges the rest, making your next shot a little tougher.
Bubble witch saga 2 cursed bubbles free#
Then there's Save the Animals, which sees you freeing trapped animals by popping the surrounding bubbles.įinally, there's Free the Ghost, which features a whirl of bubbles surrounding a central apparition. Victory comes when you pop six bubbles in the top row. The most basic is Clear the Top, which sees you trying to get to the top of the bubble stack.
This well worn system is applied to three level types. You get an aim guide, but it's only good for gauging the initial direction of your shot and a little of the rebound angle. Like Taito's classic puzzler, the art to this lies in bouncing your bubbles off the side of the playing field. The aim being to free up large clusters by strategically targeting the supporting structure.
It sports the same core mechanic of shooting coloured bubbles up towards a hanging stack. In the same way that Candy Crush Saga is King's take on Bejeweled, and Papa Pear Saga is its Peggle, Bubble Witch Saga 2 has clearly been 'influenced' by Puzzle Bobble / Bust-a-Move. While King has come to be defined by Candy Crush Saga, it's Bubble Witch Saga that kick-started the company's foray into mobile.
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